PAINTING MEDIUMS
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Encaustic: Encaustic, which
means ‘to burn in’, is an ancient Greek painting technique, also known as hot
wax painting. It is done by combining hot beeswax with colouring pigment. Encaustic wax has many of the properties of oil paint: it can
give a very brilliant and attractive effect and offers great scope for elegant
and expressive brushwork. The wax has to be reheated to be manouvered after
applying to the surface which is usually wood or canvas. It was used to make
portraits by the Greek to honour the dead.
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Tempera: Tempera
was the original mural medium in the ancient dynasties of Egypt, Babylonia, Mycenaean Greece, and China. This medium combines
egg yolk with pigment. It was used to paint religious Christian icons. It is
permanent, fast-drying and has to be applied on stiff support as it’s not
flexible. However, this medium is said to be 'temperamental' as it’s
consistency has to be delicately balanced by changing the amount of yolk and
water.
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Fresco: Fresco
paintings were used on plaster and ceilings. This medium was popularized during
the Renaissance by painters such as Leonardo da Vinci and Michelangelo. Buon fresco
was used on wet plaster, combining water with pigment. When the plaster dried,
it sealed the paint making it durable. Secco fresco was painted on dry plaster and
hence needed a binder to hold the paint together.
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Oil: Oil paintings use pigments combined with
drying oil as a binder. It was a technique developed in the 15th
century and is still famous among artists because of its durability and versatility
in texture due to which on balancing the amount of oil, the paint can applied
thinly giving a transparent effect or like a paste with a pallet knife. Its
slow drying nature allows an artist to work on the painting for days even
months. It can be applied in layers, with each layer increasing in the amount
of oil. Oils act as a great medium for obtaining a variety of colours. They
have to used in well ventilated places as the oil used in thinning or binding
release fumes which can be suffocating and toxic. Oil paints have to be used
with extreme care as the brushes and paints cannot be used with water. They
also take a lot of time to dry between layers which can increase the duration
of painting.
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Watercolor: Watercolour is the easiest medium to use and
often children are taught to use it in schools. They are water soluble and are
dissolved in large amount of water to obtain thin layers of translucent colours
that can be build to form detailed artworks with depth. They have a matte finish
and are preferably used on watercolour paper which thick like blotting paper
which can absorb water without changing its texture.
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Gouache: Gouache is similar to watercolour but it is
more opaque in nature. Gouache has a considerable history, having been used for at
least twelve centuries. It can be used to paint lettering or fill in drawings, it
allows flexibility because mistakes can be covered up, and it photographs well
— an important attribute in the age of digital illustration and design.
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Acrylic: Acrylic paint is the most recent medium in
this article, with the first synthetic use dating back to 1940s. It is a mix
between oil paints and watercolours. Acrylic paints have a huge versatility as they come in
bold colours and their consistency can be changed by using synthetic mediums
such as gel and matte for thick textures which give glossy and opaque finish
respectively. These mediums can be used for impasto techniques. Retarding
mediums can be used to slow the drying time as the acrylic paint dries very
fast once exposed to air and this medium makes them resemble oil paints. On
adding excessive water they act like watercolours. Acrylics are also efficient
because they use water as medium compared to oil paints and can be removed from
surfaces by peeling.
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